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  “Sensuality, passion, excitement, and drama…are

  Ms. Miller's hallmarks.”

  —Romantic Times

  PRAISE FOR THE WARM, WONDERFUL NOVELS OFNEW YORK TIMESBESTSELLING AUTHOR

  LINDA LAEL MILLER

  SHOTGUN BRIDE

  “The second McKettrick western romance is an exciting, action-packed tale starring two delightful lead protagonists.…The coda of Shotgun Bride is a wonderful set-up for the youngest brother's story that will keep the audience breathless in anticipation.”

  —Harriet Klausner, thebestreviews.com

  “Pure delight.…I laughed out loud in some places and had a warm heart in others.…The McKettrick Cowboys is a great series—not to be missed.”

  —Old Book Barn Gazette

  HIGH COUNTRY BRIDE

  “Linda Lael Miller is one of the finest American writers in the genre. She beautifully crafts stories that bring small-town America to life and peoples them with characters you really care about.”

  —Romantic Times

  “Miller ably portrays the hardscrabble life of the American west…[in a] winsome romance full of likable characters.”

  —Publishers Weekly

  “Just the beginning of a fantastic new dynasty.…Join the gang at the Triple M Ranch and share in the love and laughter with some of the most wonderful characters to come your way in a long time.”

  —nettrends.com

  THE LAST CHANCE CAFÉ

  “The Last Chance Café delivers powerful romance flavored with deep emotional resonance.”

  —Romantic Times

  “This novel is dead-on target…[with] suspense, down home comfort, and sizzling tension.…Ms. Miller has a timeless writing style, and her characters are always vivacious and appealing.”

  —Heartstrings

  “[An] enriching tale.…Linda Lael Miller brings to life the modern-day descendants of her popular Primrose Creek settlers with the vivid clarity and rough-hewn beauty of Nevada's rugged terrain bathed in sunglow.”

  —Romance BookPage

  “An entertaining story.”

  —Booklist

  SPRINGWATER WEDDING

  “Fans will be thrilled to join the action, suspense, and romance.…”

  —Romantic Times

  “Pure delight from the beginning to the satisfying ending…Miller is a master craftswoman at creating unusual story lines [and] charming characters.”

  —Rendezvous

  “The perfect recipe for love…Miller writes with a warm and loving heart.”

  —BookPage

  “Miller's strength is her portrayal of the history and traditions that distinguish Springwater and its residents.”

  —Publishers Weekly

  Discover a side of Linda Lael Miller you've

  never seen before…

  READ HER PAGE-TURNING BESTSELLER

  OF ROMANTIC SUSPENSE

  DON'T LOOK NOW

  “An exciting romantic suspense thriller.…The story line is action-packed.…Linda Lael Miller at her intriguing best.”

  —Midwest Book Review

  “[A] fantastic plot.…The talented Linda Lael Miller is writing in a new voice that is unlike any of her previous works.”

  —Readertoreader.com

  “Linda Lael Miller aces the portrayal of her heroine in Don't Look Now by painting a perfect picture of today's single professional woman.…Heart-stopping suspense…steamy romance.…A great read that moves along at dizzying speed.”

  —Winter Haven News (FL)

  Also by Linda Lael Miller

  Banner O'Brien

  Corbin's Fancy

  Memory's Embrace

  My Darling Melissa

  Angelfire

  Desire and Destiny

  Fletcher's Woman

  Lauralee

  Moonfire

  Wanton Angel

  Willow

  Princess Annie

  The Legacy

  Taming Charlotte

  Yankee Wife

  Daniel's Bride

  Lily and the Major

  Emma and the Outlaw

  Caroline and the Raider

  Pirates

  Knights

  My Outlaw

  The Vow

  Two Brothers

  Springwater

  Springwater Series:

  Rachel

  Savannah

  Miranda

  Jessica

  A Springwater Christmas

  One Wish

  The Women of Primrose

  Creek Series:

  Bridget

  Christy

  Skye

  Megan

  Courting Susannah

  Springwater Wedding

  My Lady Beloved (writing as Lael St. James)

  My Lady Wayward (writing as Lael St. James)

  High Country Bride

  Shotgun Bride

  Secondhand Bride

  The Last Chance Café

  Don't Look Now

  Never Look Back

  This book is a work of fiction. Names, characters, places and incidents are either the product of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

  An Original Publication of POCKET BOOKS

  POCKET BOOKS, a division of Simon & Schuster, Inc.

  1230 Avenue of the Americas, New York, NY 10020

  Copyright © 1993 by Linda Lael Miller

  All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Pocket Books, 1230 Avenue of the Americas, New York, NY 10020

  ISBN-13: 978-1-4165-1202-8

  ISBN-10: 1-4165-1202-0

  POCKET and colophon are registered trademarks of Simon & Schuster, Inc.

  Visit us on the World Wide Web:

  http://www.SimonSays.com

  For Jayne Ann Krentz,

  blazer of trails,

  with affection and gratitude

  1

  San Francisco

  1866

  LYDIA McQUIRE WAS DESPERATELY HUNGRY, AND A night's piano playing had earned her enough for a bed at Miss Killgoran's boardinghouse or a meal, but not both. She squinted to read the bill affixed to the wall outside the supper club, her blue eyes still stinging from the dense cigar smoke within.

  WANTED: ONE WIFE FOR A GOOD,

  SOBER, AND PROSPEROUS MAN.

  CONTACT DEVON QUADE,

  ROOM 4, THE FEDERAL HOTEL

  Lydia sighed. The Federal Hotel was just a few blocks from where she stood, yet it might as well have been in another world. There, people slept on crisp linen sheets, drank hot, strong tea with all the milk and sugar they could want, ate full meals without first examining the fare for mold and weevils. Perhaps if she went to see this Devon Quade, he would offer her some small refreshment during the interview—coffee and rolls, perhaps. Even that sounded like a feast to Lydia, who hadn't eaten since the day before, when a kindly bartender had given her two hard-boiled eggs that had somehow been overlooked in the mad scramble of hungry, thirsty patrons.

  She started automatically toward the hotel, picking up speed as she walked. It was dawn, and there were only a few carriages and wagons in the brick-laid streets; a Chinaman wearing a round, pointed hat, his trousers and shirt made of black silk, hurried along on the opposite sidewalk. A policeman strolled his beat, looking bored and weary, his nightstick making a clunk sound against each lamp post he passed.

  It occurred to Lydia that she would probably rouse Mr. Quade from a sound sleep, arriving at his door so early, but she proceeded anyway. Perhaps he would be impressed by her industry and initiative and overlook her tattered dress, her mussed b
lond hair, the smell of smoke that had permeated her skin and grown stale there.

  Her resolve was beginning to fade, so she walked faster. It was only when she reached the front door of the Federal Hotel that Lydia realized she was holding the advertisement for a wife in one hand. She didn't recollect pulling it from the wooden wall where she'd found it.

  Standing on the sidewalk, drawing in deep breaths, Lydia folded the bill into neat quarters and then tucked it into her pocket with the two pitiful coins she'd received for entertaining that lot of sodden, pinching drunks. Briefly, she considered the idea of actually applying for the post of wife to this forthright stranger, but she soon discarded it again. In time she would find an honest position as a governess, or she would scrape together enough money to take a room in a boardinghouse where there was a piano. That way, she could give lessons and earn a dignified if modest living.

  The hotel doorman, looking like an officer in an army of rich soldiers in his maroon suit, gold epaulets, and gleaming brass buttons, peered at her from under the brim of his cap. The expression in his eyes revealed both admiration and contempt as he took in Lydia's compact figure, her moderately pretty face and her one glory, her rich, honey-gold hair.

  “There something you want, ma'am?” he inquired, with an acid politeness that stung Lydia. It was obvious, even to a woman who'd never had an intimate experience with a man, that he thought she was a lady of the shadows, seeking lowly commerce.

  Lydia wanted to run, but her hunger left her too weak, and discouragement had robbed her of all aplomb. She took the handbill from her pocket and held it out. “I'm here to see Mr. Devon Quade,” she said, with her last shred of pride.

  The doorman looked her over again, then smiled. It was not a friendly expression, but he granted her entry with a gesture of one arm.

  Lydia walked into the lobby, with its potted palms and brass fixtures and lovely Oriental carpet, and for a few moments she was filled with such aching weariness that her throat closed tight and her eyes filled with tears.

  She blinked, and sniffled, looked at the handbill again, made a mental note that Mr. Quade was housed in Room 4, and proceeded toward the stairs. The door she sought, prominently marked with a brass numeral, was all too easy to find.

  She had only to knock.

  Lydia bit her lower lip. She was tired, hungry, and dirty, and the last thing on the face of God's earth she would ever want was a husband, so what was she doing here? She didn't know; there was nothing in her knowledge or experience to explain the strange instinct that had propelled her through grimy streets to this place. It was far more than the hope of coffee and rolls, she concluded.

  She raised her hand to knock, heart thundering against her rib cage, stomach grinding out a reminder that it was empty, held her breath and pounded at the door.

  The instant she'd done that, Lydia was overcome by terror. She glanced in one direction, then the other, ready to flee down the hallway and escape, but her legs wouldn't take orders. She was frozen there on the threshold of a strange man's quarters, with little or nothing to say for herself.

  There was grumbling inside the room. Lydia continued to struggle against her own inertia, but to no avail. She was rooted to the spot like a willow tree planted in good ground.

  Then the door opened and he was standing there, tall and classically handsome, his tawny-gold hair sleep-rumpled. His indigo-blue eyes went narrow and he scowled. “Yes?”

  Lydia offered the advertisement with a shaking hand. The man was clearly prosperous, as the poster claimed, and no doubt sober, given the hour, but whether or not he was good remained to be seen. Such fine-looking men were often rogues.

  She realized she was staring and forced herself to speak. “Mr. Quade? My name is Lydia McQuire and I—I've come about your…proposal.” It was plain he wasn't going to offer refreshment, clad in his dressing gown and barely awake as he was, but Lydia felt she had to make some explanation for interrupting his sleep, so she pretended she wanted to be a stranger's bride.

  Ink-colored eyes looked her over speculatively, but not with the same insulting presumption the doorman had employed. “Come in, Miss McQuire,” he said, stepping back.

  Lydia swallowed. Somehow, perhaps because of her desperation, she hadn't anticipated this awkward development. She intertwined her fingers and twisted them until they ached. “I don't think—”

  Suddenly, a blinding smile burst over his face, like early morning sunshine on the surface of a clear lake. “Of course,” he said. “I've been living among lumberjacks so long, I've forgotten my manners. Give me fifteen minutes, and I'll meet you downstairs in the dining room. We'll talk while we're having breakfast.”

  Lydia's stomach rumbled loudly at the prospect; she could only hope Mr. Quade hadn't heard. She nodded and stood there in the hall, still as a marble monument, long after he'd closed the door. Then, driven by the thought of food, she broke free of her frenzied thoughts and dashed for the stairs.

  The dining hall was just opening up for a day's business, and when Lydia told the waiter she was joining Mr. Devon Quade of Room 4, she was immediately escorted to a table. Coffee appeared, sending fragrant steam from the spout of a silver pot, and a crystal plate towering with fresh pastries was set before her.

  Lydia's eyes went wide as she watched the rich brown liquid being poured into a delicate china cup.

  “There you are, madame,” the waiter said kindly. Then he went away.

  Lydia's hand trembled as she reached for the pots of sugar and cream. She treated the coffee with generous portions of both and took a noisy slurp, too eager to honor convention by sipping. A gray-haired matron, the only other customer in attendance, gave her a look of censure.

  Lydia took two more gulps of the coffee—oh, Lord, it was delicious—then reached for a pastry. Her mouth was stuffed full when Devon Quade materialized in the doorway of the restaurant, looking so startlingly handsome that she nearly choked. With frantic haste, Lydia began to chew and swallow; her face bright red when Mr. Quade reached the table, because she knew she hadn't deceived him for a moment. He'd clearly guessed that she'd put three-quarters of a sweet bun into her mouth in a single bite, and he was amused.

  The same waiter reappeared, as if by magic, to draw back Mr. Quade's chair before he had even reached the table. Menus were presented, more coffee poured.

  Although Lydia still had plenty of room for breakfast, she was no longer quite so ravenous. For the moment, her stomach was occupied with the roll she'd just consumed, and she could study Mr. Quade as he scanned the menu.

  He startled her by looking up suddenly and catching her staring. “You are a very lovely woman,” he said. “I confess to wondering why you haven't found a husband in a more traditional way.”

  Lydia blushed and was momentarily overwhelmed by an acute yearning for long-gone, innocent days. “The war didn't leave many eligible men,” she said. “Those who did survive are wounded, either inside or out, or already married.”

  Mr. Quade seemed sincerely chagrined. “Of course. I'm sorry.” He gestured for the waiter, who came instantly, and Lydia felt a sting of envy, wondering what it would be like to be so effortlessly important as her breakfast partner. He ordered a large meal for the both of them, and when they were alone again, studied Lydia with a pensive frown. “Tell me about yourself,” he said.

  Her natural tendency toward rebellion made her want to counter with a demand that Mr. Quade tell her about himself first, but she wanted to eat her breakfast before she took any such risk. That way, she could use her pitiful night's pay to hire a bed and bath.

  “I'm twenty-five,” she said, squaring her shoulders. “I was born in Fall River, Massachusetts. My father was a doctor, and my mother died when I was very young. I am educated, and I can cook and clean as well as the next woman, though I admit I'd rather read or go out walking. When the war began, my father felt compelled to join up—on the Union side, naturally.”

  “Naturally,” Mr. Quade said benignly, on
e side of his mouth tilted upward in a semblance of a grin.

  Lydia resettled herself in her chair and smoothed her disgracefully rumpled skirts. “Papa hadn't been gone a week when he wired me from Washington City that he was in urgent need of my assistance. I immediately answered his summons. I worked side by side with my father and the other surgeons, as a nurse.” She paused a moment, remembering the horrors that had eventually become commonplace. “We followed the battles, and it was in Virginia that Papa suffered a fatal heart seizure and collapsed. He died within a few hours and I—I—” She stopped again, took a few deep breaths, marveling that she'd reached such depths that she would willingly endure such wretched recollections for a few scraps of food. “I stayed on with the hospital corps, having no reason to return home.”

  Mr. Quade was silent for a long time. He looked deep into her eyes. The meal was delivered, and Lydia used the last of her self-control to keep from scooping eggs and sausage and toasted bread up into her hands and devouring them like an animal.

  “Your father must have owned a house in Fall River,” Mr. Quade finally said.

  Lydia shook her head, her mouth full of fried potatoes, which she gulped down before she answered, “Papa was never a practical man. We had rooms above a butcher shop, and we were two months behind in the rent when he enlisted.”

  Mr. Quade began spreading jelly on his toast, averting his eyes. “How did you end up in San Francisco?”

  It was agony to hold her fork suspended, with all that delicious food sitting before her, fragrant and hot, but Lydia succeeded long enough to say, “I came around the Horn with an elderly lady, acting as her companion. I'd planned to start a music conservatory once I'd settled in California and saved the necessary funds, but Mrs. Hallingsworth died and her son and daughter-in-law had no need for my services. I was, in a word, stranded.”

  “When did this happen?”

  “Last month.” Lydia got in a few hasty bites, then went on. “I've been surviving by playing piano in supper bars.”

  Mr. Quade sipped his coffee. “I see,” he said finally. “Is there anything you'd like to ask me?”

  Lydia swallowed more eggs. “You must not live in San Francisco, or you wouldn't be staying in this hotel,” she observed. “Where are you from?”